The Panhandle's Resonance: An Artist Profile of M. Walker

The Panhandle's Echoes in M. Walker's Artistic Work 

Michael Walker, known professionally as M. Walker, is a compelling figure in contemporary art, a multidisciplinary practitioner whose work spans music, visual arts, writing, and advocacy. Born and raised in Amarillo, Texas, and now based in Austin, Walker embodies a profound artistic philosophy: he views his entire life as a continuous form of art. His creative endeavors are remarkably diverse, encompassing painting, photography, and digital collage, alongside the meditative practice of Ikebana, the Japanese art of floral arrangement. As a musician, he is a multi-instrumentalist, proficient in guitar, bass, piano, and drums, a prolific songwriter, and a composer, performing both as a solo artist and as a member of past bands like The Fotoelectric Effect, Ghostbunny, and Dead Scientist. His literary output further broadens his scope, including poetry, essays, and surreal mystery fiction. This expansive creative portfolio is not merely a collection of disparate skills but a cohesive expression driven by waves of inspiration, which he cultivates through a dedicated meditation practice. At the very core of M. Walker's artistic identity lies an unbreakable bond with the land, particularly the vast prairie grasslands of the Texas Panhandle and the majestic Palo Duro Canyon. This formidable landscape serves as a ceaseless wellspring of inspiration, informing nearly every facet of his work. 

Through his various mediums, he meticulously explores the history, intricate ecology, and deep spiritual significance of this unique environment. His childhood, spent camping and playing within Palo Duro Canyon's state park and adjacent private lands, was not merely a backdrop but a pivotal, formative experience that shaped his profound understanding of the natural world. This deep, visceral connection to the land is not merely a biographical detail; it is an elemental and indistinguishable part of his identity, transforming the environment from a passive setting into an active, shaping influence on his artistic vision. The canyon, in Walker's own words, functions as his "spiritual home," a crucible for both his personal and artistic evolution. This intense, internalized relationship with the landscape imbues his work with an authenticity and emotional resonance that transcends mere observation or academic study, offering a unique lens through which he interprets and communicates the essence of the Panhandle.Walker's deliberate embrace of a multidisciplinary approach stems from his conviction that different mediums offer unique avenues for understanding a subject. This holistic vision is vividly demonstrated in his advocacy work with Project Coyote, where he seamlessly integrates his passion for music, writing, and visual arts to champion the peaceful coexistence of humans with predator species. His art, therefore, is not just a form of expression but a tool for engagement, communication, and, ultimately, transformation.

Sonic Landscapes: A Musical Journey Through Palo Duro

M. Walker's musical output is deeply intertwined with the narratives of the Texas landscape, particularly the Palo Duro Canyon. His albums serve as conceptual soundscapes, inviting listeners into rich, layered explorations of time, nature, and history.

Canyon, Illuminant: Prehistoric Reverberations

Released in 2022, Canyon, Illuminant is an instrumental album that transports listeners to a "pre-historic morning" within Palo Duro Canyon, envisioning the landscape as it existed before human intervention. The album’s central purpose is to evoke a sense of "deep time" through a series of instrumental vignettes, each depicting various animals in their primordial habitats. The instrumentation, piano, guitar, bass, drums, violin, and synthesizer, is intentionally kept simple and consistent across tracks, serving a conceptual purpose: to musically represent the distinct geological strata visible within the canyon walls. Track titles such as "Waning Crescent" (a subtle homage to his late dog, Luna, and the moon), "Wind Through The Cottonwoods Always Sounds Like Running Water," "The Hunt" (portraying coyotes pursuing a hare), "Bison, Stirred," "Dance Of Pronghorn," "Chaparral, Chaparral!," "Snow On Butte, Steam On Breath," "Root Up, Grizzly, And Eat," "North Rim, Dawn," and "Alone On Winded Plains" collectively illustrate the album's profound focus on the canyon's ancient ecology and its inherent primal essence. The genesis of Canyon, Illuminant stems directly from Walker's deeply personal experience of solitude within the canyon at dawn, where he felt the immense power of the landscape, recognizing its existence "long before human presence and [its persistence] long after we cease to exist". A testament to his commitment to environmental stewardship, all proceeds generated from Canyon, Illuminant are channeled towards prairieland restoration and re-wilding initiatives in the Texas Panhandle. This commitment forges a direct, impactful link between his artistic output and his advocacy. The album garnered significant praise from Dan Flores, a renowned scholar and author of works like Coyote America and American Serengeti. Flores lauded Canyon, Illuminant for Walker's "intimate and authentic" connections to West Texas and specifically highlighted his musical recreation of pronghorn vocalizations as "sheer genius". The direct link between the album's thematic exploration of pre-human nature and the dedication of its proceeds to re-wilding efforts establishes a clear connection: Walker's art is not merely descriptive but actively contributes to conservation. Furthermore, Flores's commendation of the album's authenticity and ingenious musical interpretations suggests that Walker's artistic method, deeply rooted in his personal connection to the land, effectively translates complex ecological and historical narratives into an accessible and emotionally resonant musical form. This process fosters a deeper ecological consciousness and historical empathy in his audience, aligning perfectly with his stated philosophy of "The Intersection of Art & Science". The album serves as a powerful example of how art can transcend entertainment to become a tool for environmental education and actionable change.

Red River War: A Historical Soundscape

Red River War, released in 2023, is explicitly positioned as a "spiritual successor" to Canyon, Illuminant, conceptually shifting from prehistoric nature to significant historical events within the identical canyon system and high plains of the Llano Estacado. This album, conceptualized and written with his longtime creative partner and childhood best friend, Jacob Combs, offers a musical interpretation of the Red River War (1874-1875), the concluding major military engagement between the United States Army and various Plains Tribes. It delves into profound themes of ambition, suffering, the human struggle for survival, drastic ecological transformations (particularly the decimation of bison), and the harrowing battles that characterized this period. Walker candidly acknowledges the immense gravity of the subject matter and his own lack of formal historical credentials, emphasizing that the music is intended as an "exploration of other elements of the time and place" rather than a definitive historical record. His aim is to evoke vivid, sometimes "downright horrifying," images through sound. A pivotal catalyst for the war, and a recurring motif throughout the album, is the catastrophic decline of crucial animal species, especially bison, across the high plains. Walker integrates historical accounts of widespread killings and references General Philip Sheridan's notorious advocacy for buffalo extermination as a means to "settle the Indian question". To craft these immersive soundscapes, the album incorporates authentic field recordings of horses and coyotes, synthesizers to mimic wind and crackling fire, and abstract fiddle bowing designed to replicate coyote yelps. Notably, Walker also includes an ironic rendition of "John Brown's Body," a popular abolitionist tune sung by the U.S. Army during the Civil War, played amidst the sounds of the prairie. He highlights the inherent paradox of this song being performed by an army that, while fighting to end slavery, simultaneously sought to eradicate a continent's indigenous inhabitants through the doctrine of manifest destiny. Through this work, Walker endeavors to illustrate the profound impact of human encroachment on biodiverse habitats. He expresses a hopeful vision that the abundant animal life once paralleling the African Serengeti on the High Plains could eventually return. He posits that the primary obstacles to this restoration are cultural and social, rooted in a systemic lack of will driven by a paradigm of profit and conquest. Ultimately, his project aims to encourage listeners to "explore a different story and imagine a future their descendants can be proud of".

Red River War moves beyond a simple historical recounting by explicitly linking the human conflict to profound ecological devastation. The deliberate inclusion of "John Brown's Body" is a powerful artistic choice that exposes a deep contradiction in American history; the pursuit of liberation for some while simultaneously enacting eradication upon others, both human and animal. This reveals that Walker views history not as isolated events but as an integrated system where human actions have cascading ripple effects on the natural world. By intertwining these narratives through sound, Walker compels listeners to critically re-examine historical precedents and their enduring impact on the land and its inhabitants, thereby inspiring a more compassionate and informed future. This is a sophisticated use of art to highlight complex causal relationships between human ambition, environmental destruction, and social justice.

Singles: Glimpses of a Broader Palette

M. Walker's discography also includes several singles and EPs, notably "Lowing" (2025), "Peaches" (2024), and "Bend (feat. Reilly Downes)" (2023).

"Bend," released in 2023, is a collaborative single featuring Americana singer-songwriter Reilly Downes. MusicMecca.org characterized "Bend" as a "groovy Americana n' soul banger," noting its opening with a "semi-psychedelic orchestral sound" that transitions into "mellow but driving instrumentation".29 Walker's vocal performance on the track is described as "captivating".29 Reilly Downes, a native of the Texas Hill Country, is distinguished by her "sultry tone" imbued with a "southern twang" and her adherence to "traditional country-styled instrumentation".29 She often labels her genre as "Sad Cowgirl Music".29 Her sound is further enriched by a "gritty desert heat" influence, absorbed from her time spent in the Panhandle.30 The description of "Bend" as a "groovy Americana n' soul banger" combined with the detailed background of Reilly Downes' Texas Hill Country origins and gritty desert heat influence points to a powerful connection between shared regional identity and artistic output. This collaboration is not merely a feature; it suggests a natural synergy where both artists, drawing from similar geographical and cultural wellsprings, amplify each other's voices and themes. This deepens the regional authenticity of the song, making it a compelling example of how artistic partnerships can create a richer, more resonant soundscape intrinsically tied to a specific land. It highlights a trend of artists from a particular region finding common ground and enhancing their individual expressions through collaboration.

The Pen and the Planet: Writing and Advocacy

M. Walker's commitment to the land and its well-being extends significantly into his written work and advocacy, demonstrating a profound dedication to environmental consciousness and sustainable living.

Project Coyote's "Artists for Wild Nature"

M. Walker is an active member of Project Coyote's "Artists for Wild Nature" program, a platform through which he leverages his creative talents to advocate for the peaceful coexistence of humans with predator species such as wolves, bears, and coyotes. His involvement with the program began around February 2022. Project Coyote's core philosophy posits that inspiring diverse audiences to appreciate and protect wild carnivores is fundamental to shifting cultural ideologies and human behavior towards compassion for all species. They believe that art possesses a unique power to evoke empathy and ignite imagination, prompting individuals to question existing realities and envision creative alternatives. Walker explicitly uses his creative work to bridge the gap between art and science, aiming to communicate complex scientific ideas in an accessible and engaging manner, thereby making scientific discoveries more comprehensible to a wider audience.

His participation in Project Coyote seamlessly integrates his passion for music, writing, and visual arts into this advocacy. His "Notes From The Field" blog posts for Project Coyote offer direct insights into his advocacy. For example, his May 2023 post on Red River War elaborates on how the album explores the historical decimation of bison and the subsequent migration of other species, directly linking these events to human encroachment on biodiverse habitats. In this piece, he explicitly states his aspiration that his work will encourage listeners to "explore a different story and imagine a future their descendants can be proud of," underscoring his call to action for conservation. A deeply personal and formative memory for Walker is waking to the "cacophony of coyotes" during stays with his grandparents near a rural reservoir. This "coyote-ness" has remained a tangible and spiritual presence throughout his life, providing a profound foundation for his advocacy. 

His work is also intellectually informed by scholars such as Dan Flores, whose books like Coyote America and American Serengeti served as inspiration. Walker actively engaged with Flores in discussions about the critical importance of cross-pollination between scientific and artistic communities to deepen public understanding and broaden audience engagement. Walker's involvement with Project Coyote is far more than mere participation; it is a strategic effort to instigate socio-ecological transformation. The direct line from his childhood experience with coyotes to his conceptual albums that critique historical ecological destruction and fund re-wilding efforts demonstrates a profound connection. This is not just about raising awareness; it is about shifting fundamental cultural ideologies. His belief that art can make science accessible and his collaboration with scientific thinkers like Dan Flores reveal a sophisticated, interdisciplinary strategy. This approach positions art as a powerful, active force for tangible environmental and social change, moving beyond aesthetic appreciation to inspire concrete action towards a more harmonious and just coexistence with the natural world.

Building a Better Future: Passive House and Building Science

M. Walker possesses a substantial body of written work focused on passive house principles and building science, which underscores his dedication to "low-energy, high-comfort, and health-focused design". His publications include articles in respected industry journals such as The Journal of Light Construction (e.g., "Ductwork For a Retrofit ERV," 2023; "Hot and Humid Addressed Head-On," 2022) and contributions to Positive Energy's authoritative building science blog (e.g., "What Does ChatGPT Know About Building Science," 2023; "Building Science: A Vision For The Future," 2021). In "Ductwork For a Retrofit ERV," Walker provides practical guidance on improving indoor air quality through energy recovery ventilation (ERV) systems. He delves into the complexities of integrating ERVs with existing furnace ductwork, ultimately advocating for dedicated duct systems as the optimal strategy. He emphasizes the critical importance of managing hygrothermal gradients, particularly in humid climates, and highlights the indispensable role of proper ventilation for occupant health outcomes. His article "What Does ChatGPT Know About Building Science" offers a unique exploration of artificial intelligence's comprehension (or lack thereof) of building science. In this piece, he identifies emerging scientific disciplines—such as climate science, data science, materials science, robotics, and AI/machine learning—that are increasingly relevant to the field, and discusses how new discoveries in health sciences are influencing building recommendations. Walker concludes that the very definition of building science is evolving to integrate knowledge from a broader spectrum of scientific disciplines. This body of work seamlessly aligns with his overarching philosophy of connecting art and science to effectively communicate vital ideas.

At first glance, Walker's technical writing on passive house and building science might seem distinct from his artistic endeavors. However, this engagement is a direct manifestation of his "Intersection of Art & Science" philosophy. His writings are not merely technical manuals; they are advocacy for "health-focused design" and "sustainable buildings". This suggests that his artistic vision of harmony with nature extends comprehensively to the built environment. He perceives the practical application of scientific principles (building science) as another form of creative expression, one aimed at enhancing human well-being and promoting environmental stewardship. This parallels his advocacy for wild nature, revealing a coherent worldview where art, science, and advocacy are all interconnected tools for fostering a more harmonious and sustainable relationship with the planet.

Poetic Expressions: Petrichor Journal

M. Walker's literary contributions include published poetry in Petrichor Journal in 2024. Petrichor Journal is characterized as a "journal of text & image" that actively seeks and publishes diverse poetic forms, embracing "underrepresented voices and unheard approaches to poetics and the melding of text & image". The very name "Petrichor" refers to the distinct, earthy scent that arises after rain on dry ground, inherently suggesting a deep connection to nature and sensory experience. While the provided information does not offer specific details regarding the content or themes of M. Walker's individual poems published in Petrichor Journal , the publication's emphasis on the "melding of text & image" and its thematic resonance with nature (via its name, "Petrichor") strongly aligns with Walker's established multidisciplinary approach and his profound connection to the land.

Visual Arts: A Complementary Canvas

M. Walker's artistic expression extends compellingly into the visual realm, where he employs a diverse range of mediums to explore themes deeply rooted in his connection to the land. His visual artistic practice encompasses painting, photography, and digital collage. Beyond these, he also engages in Ikebana, the traditional Japanese art of contemplative floral arrangement. Consistently, his visual art, much like his musical compositions, draws profound inspiration from the landscape of the Texas Panhandle, particularly Palo Duro Canyon. Through these mediums, he delves into the region's history, intricate ecology, and deep spiritual significance. A central and recurring theme across his visual work is "the Intersection of Art & Science". Walker consciously employs his creative output to communicate complex scientific ideas in an engaging manner, believing that artistic interpretations can render scientific discoveries more accessible to a broader audience. His studio website even poses thought-provoking questions such as "what can land tell us about art if we listen?" and "what can art tell us about land if we listen?", indicating a philosophical underpinning to his visual practice that encourages a deeper, reciprocal dialogue with the environment. While M. Walker's work features Collage Work, Photography, Drawings, and Paintings.

Walker's engagement with Ikebana alongside more conventional visual art forms, coupled with his overarching philosophy of viewing "his life as a form of art," reveals a deeper, unifying approach than simply working in multiple mediums.1 This approach suggests a holistic integration of art into his daily existence and thought processes. Ikebana, as a contemplative art form, reinforces his meditation practice and the idea of finding profound beauty and meaning in natural forms and arrangements.1 This implies that his visual arts are not isolated creations but rather extensions of his living philosophy, constantly exploring the "intersection of art and science" and the pervasive influence of "land" on his very being.

Shared Horizons: M. Walker and Hayden Pedigo

The artistic landscape of Amarillo, Texas, has given rise to a distinctive instrumental guitar tradition, exemplified by both M. Walker and Hayden Pedigo. Their shared origins and artistic inclinations reveal a fascinating connection to the American Primitivist style.

Amarillo Roots and American Primitivism

Both M. Walker and Hayden Pedigo share a common origin in Amarillo, Texas, and their artistic output is notably shaped by the expansive landscapes of the Texas Panhandle. Hayden Pedigo, an acoustic guitarist and soundscape composer, dedicated his teenage years to mastering the American Primitivist guitar picking styles pioneered by John Fahey. Pedigo's sonic explorations are explicitly rooted in his deep affection for the Texas Panhandle, and his music is lauded for capturing the essence of living in Amarillo without relying on explicit genre ties to the region. American Primitivism, an influential genre established by John Fahey, is characterized by solo fingerstyle guitar playing on steel-string acoustic instruments. It distinctively fuses traditional country blues fingerpicking techniques—historically used for vocal accompaniment—with innovative, non-traditional harmonic and melodic elements, often incorporating dissonance found in 20th-century classical music and drawing influences from Indian classical traditions. Key stylistic traits include syncopation, the use of an alternating thumb bass, a primary focus on composition and the listener's musical experience rather than overt performance, modal qualities where chords are often sustained, and frequently, the evocation of a "trance-like mood". The style is fundamentally defined by its "self-taught nature" and a "minimalist approach". 

The shared geographical origin of both M. Walker and Hayden Pedigo in Amarillo, and their mutual gravitation towards the American Primitivist guitar style, suggests a deeper connection than mere coincidence. The vast, open, and often stark landscapes of the Texas Panhandle inherently lend themselves to the minimalist, introspective, and contemplative qualities inherent in American Primitivism, a style that emphasizes space, sustained notes, and atmospheric depth.47 This shared regional context and artistic preference point to the emergence of a distinct artistic lineage from Amarillo, where the unique environment itself fosters a particular kind of instrumental guitar expression. This reveals a profound relationship where the specific geography and its associated sensory experiences directly influence artistic form and genre choice, making the music a sonic embodiment of the place.

"Shifting Again" and Pedigo's Influence

M. Walker's instrumental guitar piece, "Shifting Again," was released as a single in 2024 and performed live in December of 2024 with a string quartet and synthesizer accompaniment at Walker Lukens’ “Last Walt II” at The Paramount Theater in Austin, TX. The piece served as critic John Malborg’s introduction to M. Walker’s discography. The piece received significant praise from the musician community on the social media platform Threads. 

The style of “Shifting Again” certainly feels within the influence sphere of Hayden Pedigo's work within the American Primitivist style. Hayden Pedigo's oeuvre is widely recognized within the American Primitivist genre, with his influences prominently including foundational figures like John Fahey, Robbie Basho, Daniel Bachman, and Mark Fosson. His playing is consistently described as "intricate American primitive guitar play" and is characterized by its "fingerstyle" technique. 

Critics frequently note Pedigo’s remarkable ability to evoke "picturesque outdoor landscapes and calm psychic spaces" through his music. Pedigo often employs inventive open tunings and prioritizes "melody more than any kind of crazy technique," striving for a "super simple melody" in his compositions. He has also been lauded for his capacity to capture the authentic feeling of Amarillo life within his instrumental music. In a similar vein, M. Walker's profound connection to the Texas Panhandle and his established body of instrumental work embody similar characteristics, perhaps with more abstract approaches to instrumentation via chamber strings sounds. Walker’s fingerstyle acoustic guitar approach evocatively translates the landscape, utilizing open tunings and prioritizing atmosphere and narrative over technical virtuosity, thereby aligning with the core tenets of American Primitivism. This comparison highlights how the American Primitivist genre, when interpreted by artists from the Texas Panhandle, becomes a unique and potent vehicle for translating the vastness, solitude, and subtle beauty of that specific grassland environment into an aural form. This suggests a distinct sub-style that is intrinsically tied to its geographical origin. The "wordless, cinematic storytelling" is attributed to Pedigo's and Walker’s instrumental pieces alike, further reinforcing the narrative and evocative power of their landscape-inspired music.

The Enduring Spirit of the Plains

M. Walker stands out as a truly multidisciplinary artist whose diverse endeavors—ranging from his evocative instrumental music and compelling visual art to his insightful poetry and impactful building science advocacy—are profoundly unified by an intrinsic and deeply personal relationship with the Texas Panhandle and its iconic Palo Duro Canyon. His entire body of work consistently revisits and explores themes of deep time, intricate ecological history, and the complex interface between humanity and nature, all of which are direct reflections of his formative upbringing in the vast, open prairie grasslands of Amarillo.

Walker distinguishes himself significantly by not merely creating art about nature, but by actively and consciously integrating rigorous scientific understanding and dedicated advocacy into his creative practice. His conceptual albums, notably Canyon, Illuminant and Red River War, function as powerful sonic narratives that both educate and inspire listeners towards greater environmental stewardship and a critical re-evaluation of historical impacts on the land and its wild inhabitants. Furthermore, his extensive writings on passive house principles extend this profound commitment to sustainable living into the realm of the built environment, demonstrating a holistic approach to his engagement with the world.

Through his overarching "Art as Life" philosophy and his deliberate, conscious effort to meld artistic expression with scientific inquiry, M. Walker offers a compelling and timely model for contemporary artists who seek to engage meaningfully with pressing ecological and social issues. His work provides a unique, authentic voice emanating from the Texas plains, inviting audiences to listen more intently to the land, its layered history, and its potential future. The enduring resonance of his work lies in its remarkable ability to transform complex, often abstract, themes into accessible, emotionally resonant experiences, thereby fostering a deeper connection to the natural world and inspiring a more thoughtful, harmonious coexistence.

Works cited

  1. About The Artist - M. Walker | Artist, Writer, Musician, accessed June 10, 2025, https://mwalker.studio/about

  2. About Artist & Writer M. Walker — The Sleepy Burrito, accessed June 10, 2025, https://sleepyburrito.com/about

  3. Canyon, Illuminant — The Sleepy Burrito - M. Walker, accessed June 10, 2025, https://sleepyburrito.com/canyon-illuminant

  4. Meet our newest Artist For Wild Nature, Michael Walker - Project ..., accessed June 10, 2025, https://projectcoyote.org/nftf-michael-walker/

  5. Canyon, Illuminant by M. Walker - DistroKid, accessed June 10, 2025, https://distrokid.com/hyperfollow/mwalker/canyon-illuminant

  6. Canyon, Illuminant by M. Walker on TIDAL, accessed June 10, 2025, https://listen.tidal.com/album/208398465

  7. M. Walker - Apple Music, accessed June 10, 2025, https://music.apple.com/us/artist/m-walker/911215

  8. Red River War | M. Walker — The Sleepy Burrito, accessed June 10, 2025, https://sleepyburrito.com/red-river-war

  9. Red River War: An Instrumental Journey Through the Last Major ..., accessed June 10, 2025, https://projectcoyote.org/nftf-m-walker-red-river-war/

  10. Song Review: Walker Hayes, “Fancy Like” - Kyle's Korner - WordPress.com, accessed June 10, 2025, https://kyleskornerblog.wordpress.com/2021/07/23/song-review-walker-hayes-fancy-like/

  11. WHAT'S THE BEST JOHNNIE WALKER WHISKY? - YouTube, accessed June 10, 2025, https://m.youtube.com/watch?v=vP67QCJMNUM&t=44

  12. Starlight 4 years Single Barrel Bourbon Whisky Finished in Peach Brandy - Review by WhiskyJason - YouTube, accessed June 10, 2025, https://www.youtube.com/watch?v=mltRY9R5He0

  13. Stand Back 'Peaches,' Jack Black Has A New Rock Anthem For A Minecraft Movie - Yahoo, accessed June 10, 2025, https://www.yahoo.com/entertainment/stand-back-peaches-jack-black-123000870.html

  14. Review: Joshua Ray Walker's "See You Next Time" - Buddy Magazine - Est. 1973, accessed June 10, 2025, https://buddymagazine.com/news/joshua-ray-walkers-see-you-next-time/

  15. PEACHES @ The Gov: It's Getting Hot In Here! ~ Live Music Review | The Clothesline, accessed June 10, 2025, https://theclothesline.com.au/peaches-live-music-review/

  16. “Up Granville” Is Peach Pit's Ode to the Woes of Solitude - Atwood Magazine, accessed June 10, 2025, https://atwoodmagazine.com/ugvp-peach-pit-up-granville-song-review/

  17. Walker Hayes - AA (Lyric Video) - YouTube, accessed June 10, 2025, https://www.youtube.com/watch?v=hp6T14iP2C4

  18. Clay Walker - The Chain of Love (Official Music Video) - YouTube, accessed June 10, 2025, https://m.youtube.com/watch?v=sTpiaE945To&pp=ygUXI3dhaXRyZXNzX3VuY29uZGl0aW9uYWw%3D

  19. Peaches (The Presidents of the United States of America song) - Wikipedia, accessed June 10, 2025, https://en.wikipedia.org/wiki/Peaches_(The_Presidents_of_the_United_States_of_America_song)

  20. The song "Peaches" by the Presidents of the United States of America isn't about fruit. : r/FanTheories - Reddit, accessed June 10, 2025, https://www.reddit.com/r/FanTheories/comments/24cnuf/the_song_peaches_by_the_presidents_of_the_united/

  21. What is the meaning of the line “the monsters running wild inside of me” on Alan Walker's song “Faded”? - Quora, accessed June 10, 2025, https://www.quora.com/What-is-the-meaning-of-the-line-the-monsters-running-wild-inside-of-me-on-Alan-Walker-s-song-Faded

  22. On "Over It", Summer Walker Navigates the Millennial Love Story - VOX ATL, accessed June 10, 2025, https://voxatl.org/summer-walker-over-it-millennial-love-story/

  23. Seth Walker and Colin Miller release new albums with longtime collaborators, accessed June 10, 2025, https://mountainx.com/arts/seth-walker-and-colin-miller-release-new-albums-with-longtime-collaborators/

  24. Episode 163: Navigating the Future: Building Community and What It Means to Be a Modern Musician with Michael Walker, accessed June 10, 2025, https://www.modern-musician.com/podcast-episode-163-michael-walker

  25. Protest the Hero Called Out Brand New's Jesse Lacey for 'Grooming Children' at Recent Show - VICE, accessed June 10, 2025, https://www.vice.com/en/article/protest-the-hero-called-out-brand-news-jesse-lacey-for-grooming-children-at-recent-show/

  26. WORLD'S WORST RECORD REVIEW: BUTCH WALKER - Fat Bearded Vinyl Guy, accessed June 10, 2025, https://fatbeardedvinylguy.com/f/worlds-worst-record-review-butch-walker?m=1

  27. On The Divine Comedy's IN MAY - Queen of Peaches, accessed June 10, 2025, https://queenofpeaches.com/2017/04/29/on-the-divine-comedys-in-may/

  28. Peaches - Showbams, accessed June 10, 2025, https://showbams.com/tag/peaches/

  29. Reilly Downes Delivers Sultry Charm On New 'Wicked Game' Cover ..., accessed June 10, 2025, https://musicmecca.org/reilly-downes-delivers-sultry-charm-on-new-wicked-game-cover/

  30. Interview: Americana Songwriter Reilly Downes Discusses The Freedom Of Being Herself In New Single 'Dirty Love' - Music Mecca, accessed June 10, 2025, https://musicmecca.org/interview-americana-songwriter-reilly-downes-discusses-new-single-dirty-love-texas-roots-more/

  31. Artists for Wild Nature - Project Coyote, accessed June 10, 2025, https://projectcoyote.org/category/inspire/artists-for-wild-nature/

  32. Artists for Wild Nature - Project Coyote, accessed June 10, 2025, https://projectcoyote.org/inspire/artists-for-wild-nature/

  33. Cameron Caja Resume.pdf

  34. Ductwork for a Retrofit ERV | JLC Online, accessed June 10, 2025, https://www.jlconline.com/how-to/hvac/ductwork-for-a-retrofit-erv_o

  35. What Does The ChatGPT AI Know About Building Science ..., accessed June 10, 2025, https://positiveenergy.pro/building-science-blog/2023/1/19/what-does-the-chatgpt-ai-know-about-building-science

  36. Publications By M. Walker - The Sleepy Burrito, accessed June 10, 2025, https://sleepyburrito.com/publications

  37. About Us - petrichor, accessed June 10, 2025, https://petrichormag.com/about/

  38. petrichor mag - Chill Subs, accessed June 10, 2025, https://www.chillsubs.com/magazine/petrichor-mag

  39. The Far Walker - Packpizzle's Emporium, accessed June 10, 2025, https://packpizzles.com/products/the-far-walker-candle

  40. Analogous Ecologies: The Surreal and the Mundane in The Ballad of Suzanne Césaire (2024) and All Dirt Roads Taste of Salt (2023) - Burnaway, accessed June 10, 2025, https://burnaway.org/magazine/analogous-ecologies-the-surreal-and-the-mundane-in-the-ballad-of-suzanne-cesaire-2024-and-all-dirt-roads-taste-of-salt-2023/

  41. petrichor – an archive of text image, accessed June 10, 2025, https://petrichormag.com/

  42. M. Walker | Artist, Writer, Musician, accessed June 10, 2025, https://mwalker.studio/

  43. mwalker.studio, accessed June 10, 2025, https://mwalker.studio/collage-work

  44. mwalker.studio, accessed June 10, 2025, https://mwalker.studio/photography

  45. mwalker.studio, accessed June 10, 2025, https://mwalker.studio/drawings

  46. mwalker.studio, accessed June 10, 2025, https://mwalker.studio/paintings

  47. Bird On The Wire presents: Hayden Pedigo • Contemporary - Kings Place, accessed June 10, 2025, https://www.kingsplace.co.uk/whats-on/contemporary/hayden-pedigo/

  48. Hayden Pedigo - Wikipedia, accessed June 10, 2025, https://en.wikipedia.org/wiki/Hayden_Pedigo

  49. [FRESH ALBUM] Hayden Pedigo - Live in Amarillo, Texas : r/indieheads - Reddit, accessed June 10, 2025, https://www.reddit.com/r/indieheads/comments/1fa6az7/fresh_album_hayden_pedigo_live_in_amarillo_texas/

  50. John Fahey (musician) - Wikipedia, accessed June 10, 2025, https://en.wikipedia.org/wiki/John_Fahey_(musician)

  51. American primitive guitar - Wikipedia, accessed June 10, 2025, https://en.wikipedia.org/wiki/American_primitive_guitar

  52. The Thousand Incarnations off the Rose - Concord Online Media Kit Builder, accessed June 10, 2025, https://mediakits.concord.com/p/the-thousand-incarnations-of-the-rose-american-primitive-guitar-and-banjo-1963-1974/liner-notes.html

  53. How do you define American Primitivism against other bland solo fingerstyle acoustic guitar music? - Reddit, accessed June 10, 2025, https://www.reddit.com/r/AmericanPrimitivism/comments/g4fpez/how_do_you_define_american_primitivism_against/

  54. Texas - Waterloo Records, accessed June 10, 2025, https://waterloorecords.com/Genre/694649

  55. American Primitive artists and listeners — Musicalyst, accessed June 10, 2025, https://musicalyst.com/genre/american-primitive

  56. Artist Spotlight: Hayden Pedigo and His Personal Music - MIC DROP MUSIC, accessed June 10, 2025, https://micdropmusic.com/artist-spotlight-hayden-pedigo-and-his-personal-music/

  57. Review: Hayden Pedigo Embraces Melody and Simplicity on 'The Happiest Times I Ever Ignored' | Acoustic Guitar, accessed June 10, 2025, https://acousticguitar.com/review-hayden-pedigo-the-happiest-times-i-ever-ignored/